Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Studio portraits. Tattooing and photography. Ediz. italiana e inglese
Michele Servadio
King Koala Press
English Text.
Milano, 2026; paperback, pp. 250, cm 17x24.
EAN13: 9791281835290
Subject: Photography
Languages:
Weight: 0.1 kg
While the first publication was a handcrafted, intimate, and tactile object, this new edition broadens the perspective and offers a more layered and conscious reading of his research. The volume gathers years of photographic practice born from the need to preserve what tattooing-ephemeral by its very nature-leaves on the body. In the portraits taken in his English studio, which is both home and creative laboratory, tattooing enters a broader system where painting, sculpture, performance, and text intertwine within a coherent universe, where each work nourishes the others. At the center of Servadio's work lies metamorphosis: of the body, of space, of identity. Skin and film become symbolic boundaries between interior and exterior, between present and memory. Photography does not merely document; it transforms, it rescues an archaic, ritual gesture from loss and delivers it to the archive, restoring it a broader temporal dimension. Through an essay and an interview edited by Daniela Collu, the book highlights the tension that runs throughout the artist's research: holding together different practices within a cohesive system, building a recognizable language without belonging to a single category, transforming experience into vision. Studio Portraits tells the story of a compact and constantly evolving creative universe, where memory, mark, and body coexist in a necessary and radical balance.
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