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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Corpus Rubenianum Ludwig Burchard. XXVIII. Drawings Unrelated to Known Compositions

Harvey Miller Publishers

English Text.
London, 2025; bound, pp. 272, 38 b/w ill., 129 col. ill., cm 17x26.
(Corpus Rubenianum Ludwig Burchard. 28).

series: Corpus Rubenianum Ludwig Burchard.

ISBN: 0-905203-78-X - EAN13: 9780905203782

Subject: Collections,Graphic Arts (Prints, Drawings, Engravings, Miniatures)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 0 kg


This volume is an oddity in the Corpus Rubenianum. Rather than being devoted to one particular project, or category of subject, it presents what at first sight might appear a miscellany of drawings. The works discussed here are indeed united only in the circumstance that they have proved difficult to associate directly with any particular painting or project undertaken by Rubens - and, for the most part, they remain so. Many of these 'unrelated' sheets have been relegated to the margins of Rubens scholarship as a result of their ambiguous status, whether because of uncertainties regarding their attribution, their subject-matter or their function (or all three).

Given the nature of the drawings catalogued here, many of which resist iconographic classification, the decision has been made to order the items chronologically, so that they can be seen at least in relation to Rubens's stylistic development.

The present publication is essentially a compilation based on the current state of research on individual items. At the same time it introduces new perspectives on, and suggests a few solutions to, some old problems, as well as shedding light on aspects of Rubens's work that have been largely, and sometimes unjustly, overlooked.

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