De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
|
Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
The Rock Art of Norway
Lodoen Trond - Mandt Gro
Oxbow Books
English Text.
Co-Editore: OX1 2EW.
Oxford, 2009; paperback, pp. 340, b/w and col. ill., cm 24,5x18,5.
series: Advance Book Information.
ISBN: 1-905119-28-3 - EAN13: 9781905119288
Subject: Essays on Ancient Times
Period: 0-1000 (0-XI) Ancient World
Places: Europe
Languages:
Weight: 0.91 kg
It has been a common practice to group Scandinavian rock art under two main categories: the veidekunst [hunter's art] or the Northern Tradition - associated with hunters and gatherers of the Stone Age, in the period 90002000 B.C; and the jordbruksristninger [agricultural petroglyphs] or the Southern Tradition - associated with people of the Bronze and early Iron Age, from approximately 1800 B.C. until about 400 AD, who practiced farming as a livelihood.
Whether the images of the hunter nomads and the farmers represent two distinct and independent traditions, or whether they represent a continuous tradition encompassing changes in expression over time, is still today an unresolved issue.
This book raises questions about the meanings that can be derived from the rock art of Norway and aims to study the images in the context of other traces found of the same society. Through the sites explored and the stories told, this book represents a voyage in time and space from the oldest images to the youngest, from farthest north to farthest south of the country.










