Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
The Rock Art of Norway
Lodoen Trond - Mandt Gro
Oxbow Books
English Text.
Co-Editore: OX1 2EW.
Oxford, 2009; paperback, pp. 340, b/w and col. ill., cm 24,5x18,5.
series: Advance Book Information.
ISBN: 1-905119-28-3 - EAN13: 9781905119288
Subject: Essays on Ancient Times
Period: 0-1000 (0-XI) Ancient World
Places: Europe
Languages:
Weight: 0.91 kg
It has been a common practice to group Scandinavian rock art under two main categories: the veidekunst [hunter's art] or the Northern Tradition - associated with hunters and gatherers of the Stone Age, in the period 90002000 B.C; and the jordbruksristninger [agricultural petroglyphs] or the Southern Tradition - associated with people of the Bronze and early Iron Age, from approximately 1800 B.C. until about 400 AD, who practiced farming as a livelihood.
Whether the images of the hunter nomads and the farmers represent two distinct and independent traditions, or whether they represent a continuous tradition encompassing changes in expression over time, is still today an unresolved issue.
This book raises questions about the meanings that can be derived from the rock art of Norway and aims to study the images in the context of other traces found of the same society. Through the sites explored and the stories told, this book represents a voyage in time and space from the oldest images to the youngest, from farthest north to farthest south of the country.










