Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Pippo Lionni. 20230215 43°11°
Lionni Pippo
Sillabe
Italian and English Text.
Livorno, 2023; paperback, pp. 144, 150 b/w ill., cm 27x27.
ISBN: 88-3340-349-1 - EAN13: 9788833403496
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 1 kg
The cover image of this catalog effectively reflects the feral spirit Pippo Lionni brings to every one of his artistic actions. This image from behind his animalistic leap onto an unfinished sculptural object, a semi-finished product that has not yet expressed his full aesthetic potential, reveals much of what he continually asks of himself and of the art he practices. Basically, Lionni never considers his work really finished; he does not conceive of art as the creation of objects, but rather as a long creative process that may have no end, studded with accidents, contradictions, doubts and second thoughts, but also with instances of unexpected intersections, suggesting new paths to take
Carlo Nepi, Introduction.










