Books included in the offer:

La collezione dei bronzi del Museo Civico Medievale di Bologna

San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.

FREE (cover price: € 150.00)

Petrosa. Un insediamento dell'età del bronzo a Sesto Fiorentino

Vinci, 1994; paperback, pp. 114, 29 b/w ill., 16 col. ill., cm 17x24.

FREE (cover price: € 15.49)

Petrosa. Un insediamento dell'età del bronzo a Sesto Fiorentino

Bronzi e Pietre Dure nelle Incisioni di Valerio Belli Vicentino

Edited by Tubi Ravalli C.
Ferrara, 2004; bound, pp. 215, b/w and col. ill., cm 26x31.

FREE (cover price: € 100.00)

Bronzi e Pietre Dure nelle Incisioni di Valerio Belli Vicentino

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).

FREE (cover price: € 44.00)

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

Confronting the Golden Age.Imitation and Innovation in Dutch Genre Painting 1680-1750

Junko Aono

Amsterdam University Press

English Text.
Amsterdam, 2014; clothbound, pp. 272, 150 col. ill., cm 21x26.

series: Amsterdam Studies in the Dutch Golden Age

ISBN: 90-8964-568-3 - EAN13: 9789089645685

Subject: Essays (Art or Architecture),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages: english text

Weight: 0.79 kg

Dutch genre paintings of the period between 1680 and 1750 have historically been cast as uninspired repetitions of art from the mid-seventeenth-century Dutch Golden Age. In "Confronting the Golden Age," Junko Aono reconsiders these oft-dismissed paintings, repositioning them as dynamic works that played an instrumental role in the canonization of the art of the Golden Age. Drawing on archival documents, sales catalogs, and other texts, Aono closely analyzes a range of genre paintings--many of them handsomely reproduced in this volume. In the process, she deepens our understanding of these works and reveals how they illuminate the relationships among painters, collectors, and the dominant artistic currents of the time.

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