Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Tom Friedman
Julin Richard - Eyerman Charlotte
Skira
English Text.
Milano, 2013; hardback, pp. 96, 80 col. ill., cm 21,5x30.
ISBN: 88-572-1894-5 - EAN13: 9788857218946
Subject: Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Languages:
Weight: 0.53 kg
This book gives unique insight into the making of Up in the Air, the largest artwork Friedman has made to date for a solo exhibition at Magasin 3 Stockholm Konsthall in 2010. It features an essay by Charlotte Eyerman, art historian, curator and a leading authority in modern and contemporary art, and an exclusive interview with Tom Friedman by Richard Julin, Ccurator and deputy director of Magasin 3 Stockholm Konsthall.
This astonishing work of art consists of nearly a thousand meticulously handcrafted objects suspended from the ceiling at different heights - a project that kept Friedman's studio busy for over two years. Up in the Air invites the observer to enter into Friedman's complex and humorous world. Carefully navigating through the multitude of objects suspended at different heights, one can discover references to popular culture, science, politics and religion. By posing fundamental philosophical questions, Friedman aims to "slow down the process of looking" in a world of information overload.










