Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
On Frank Lloyd Wright's Concrete Adobe. Irving Gill, Rudolph Schindler and the American Southwest
Johnson Donald Leslie
Ashgate Publishing Limited
English Text.
Aldershot, 2012; hardback, pp. 180, 50 b/w ill., cm 18x25.
ISBN: 1-4094-2817-6 - EAN13: 9781409428176
Subject: Architects and their Practices
Period: 1960- Contemporary Period
Languages:
Weight: 0.8 kg
For the first time, this book brings together Wright's declarations, the assertive support by others and the accuracy of inferences in order to determine the correctness of these claims. It tests their veracity including the possibility of feigned, imagined or made-up stories presented as proof. It examines technical developments for concrete blocks, both by Wright and others, before his experiences in Los Angeles began in 1919. It also analyses the manner of Wright's design process, as well as relevant pictorial and textual documents and a study of those extant buildings.










