Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Joe Brainard. The Art of the Personal
John Yau
Rizzoli International
English Text.
New York, 2022; bound, pp. 240, col. ill., cm 20x26.
ISBN: 0-8478-7211-4 - EAN13: 9780847872114
Subject: Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0 kg
Known for his internationally popular memoir, I Remember, which uniquely captures 1950s America, Joe Brainard (1942-1994) was also a prolific and beloved artist. This beautifully illustrated book covers the entire range of his versatile art, including hundreds of drawings, collages, assemblages, prints, and paintings, many unpublished or never exhibited.
Brainard was closely associated with the New York School, a community of poets and artists such as Frank O'Hara, John Ashbery, Alex Katz, Jane Freilicher, Larry Rivers, and Fairfield Porter, who thrived in downtown Manhattan in the 1960s and '70s. Brainard transformed ordinary objects and ephemera collected from his Lower East Side neighborhood into stunning assemblages and collages. The book brings together Brainard's classic subjects, such as the comic strip heroine Nancy; Madonnas (inspired by Ukrainian images in the Lower East Side); his iconic pansies, poppies, and daisies; and erotic works (male torsos).
Poet and art critic John Yau describes in vivid detail how Brainard produced thousands of lush multimedia pieces radiant with poignancy, wit, intimacy, and a sheer beauty that express Brainard's unabashed affection for the world.










