Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Moscow. Art for Architecture. Monumental Soviet Mosaics 1925-1991
James Hill - Anna Petrova - Evgeniya Kudelina
DOM Publishers
Contributions by Anna Bronovitskaya.
English Text.
Berlin, 2022; paperback, pp. 444, 650 col. ill., cm 13,5x24,5.
ISBN: 3-86922-068-6 - EAN13: 9783869220680
Subject: Glass
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1 kg
This book is structured chronologically. Four sections (art deco, socialist realism, modernism, and postmodernism) show and describe 140 mosaics. The appendix lists 322 mosaics that have been identified in Moscow. The guide places well-known works by Alexander Deyneka, Pavel Korin, Boris Chernyshev, Evgeny Ablin, Yury Korolev, and Leonid Polishchuk side by side with mosaics by artists whose names were excluded from the history of art and architecture for a long time.
The idea for this book came from English photographer James Hill, who spent three years seeking out and photographing works of Soviet monumental art that have not received the attention they deserve in Russia and have often been regarded as propaganda in the post-Soviet period.










