Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Futurism
Gualdoni Flaminino
Skira
English Text.
Milano, 2009; paperback, pp. 96, 50 col. ill., cm 13,5x17.
ISBN: 88-6130-536-9 - EAN13: 9788861305366
Subject: Painting,Sculpture
Period: 1800-1960 (XIX-XX) Modern Period
Extra: Futurism and Avant-Gardes
Languages:
Weight: 0.19 kg
Paris, 20 February 1909. An article by the young Italian poet Filippo Tommaso Marinetti appears on the first page of the daily Le Figaro. It is the "Manifesto of Futurism", the artistic movement established in Milan in 1909 that expressed concepts of movement and speed through simultaneous visions and dynamic lines.
Marinetti intends to challenge the Paris avant-garde not by proposing a new way of making art and literature but a new way of living that interprets in an allembracing way the new collective myth of modernity.










