Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
FREE (cover price: € n.d.)
John Dryden, Jr: Un viaggio in Sicilia e a Malta nel 1700-1701
Edited by Portale R.
Introduzione, traduzione e commento a cura di Rosario Portale ("A Voyage to Sicily and Malta". London, 1776).
La Spezia, 1999; paperback, pp. XXXVI-58, ill., 13 numbered out of text col. plates, cm 17x24.
(Viaggi e Viaggiatori in Sicilia. 1).
FREE (cover price: € 15.00)
Ritratto della Sicilia
Edited by Russo S.
La Spezia, 2000; paperback, pp. XXIV-42, ill., cm 16,5x24.
(Viaggi e Viaggiatori in Sicilia. 4).
FREE (cover price: € 20.00)
Lexicon. Storie e architettura in Sicilia. 4. 2007
Palermo, 2007; paperback, pp. 72, b/w and col. ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale diretta dal prof. Marco Rosario. 4/2007).
FREE (cover price: € 15.00)
Lexicon. Storie e architettura in Sicilia. 5-6. 2007-2008. Dal tardogotico al rinascimento
Palermo, 2008; paperback, pp. 144, b/w ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale di Storia dell'Architettura. 5-6. 2007-2008).
FREE (cover price: € 30.00)
Wood. Andy Goldsworthy
Goldsworthy Andy
Thames & Hudson Ltd
English Text.
London, 2010; hardback, pp. 120, 145 col. ill., cm 28x30.
ISBN: 0-500-51517-4 - EAN13: 9780500515174
Subject: Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Languages:
Weight: 1.48 kg
Six sections - Earth, Seed, Root, Branch, Leaf and Tree - each include extracts from the artist's working diaries.
Wood culminates in an intimate revelation of the relationship between the artist and a particular corner of landscape in his home territory. A vast, ancient oak tree provokes rich responses as the seasons ebb and flow. The Capenoch Tree is a triumphant expression of the strong impulse now evident in Goldsworthy's work to allow one work to lead quite directly to the next, for the dismantling of one sculpture to be the first stage in creating a new one.
Woven through the book are intriguing glimpses of a ballet, Végétal, in which dancers build, dismantle and rebuild versions of Goldsworthy's sculptures on stage - a collaboration which draws fascinating parallels between dance and the process of making sculptures.











