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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

The Erard Family. A historical journey on musical instruments and documents

Zecchini Editore

Foreword by Mara Galassi.
English Text.
Varese, 2025; paperback, pp. 412, cm 17x24.

ISBN: 88-6540-443-4 - EAN13: 9788865404430

Subject: Music,Societies and Customs

Languages:  english text  

Weight: 0 kg


A new edition of the first study ever published on the Érard's harp production. A family known for the greatest innovations introduced in the making of pianos and harps. The history and the evolution of the pedal harp - along with the progressive improvements undertaken in terms of construction, technology and decoration - are here reconstructed by a thorough research conducted on documents, manuscripts, letters and musical instruments. The unchallenged affirmation of the Érard name on a worldwide scale - to which credit must also be given to the two women at the head of the company - eventually came to a gradual decline. The rise of many manufacturers between the 19th and 20th centuries led to a competition that was both stimulating and overwhelming, played out entirely on the terrain of mechanical and physical ingenuity and on caustic and shameless communication strategies. By retracing the parable of the Érard family, this book opens up a new critical reflection on historical instruments and the modern approach to historical performance practice.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci