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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Giovanni di Paolo. The Onset of an Artistic Extravaganza his apprenticeship and early Career (1410-1426)

Editrice Tau

English Text.
Todi, 2024; hardback, pp. 156, cm 21x27.

EAN13: 9791259754233

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 1.209 kg


Giovanni di paolo (1398-1482) is undoubtedly one of the most brilliant and imaginative painters of the Early Renaissance in Siena Italy. Firmly anchored in the tradition of late Gothic painting in Siena, he created an individual and sophisticated interpretation of the aesthetic principles of the International Gothic style. His courtly idiom was founded on a personal approach to Northern Italian artistic formulas, as invented and developed by the protagonists at the Visconti court and particularly by Gentile da Fabriano; and the latter became Giovanni di Paolo's major source of inspiration and of pivotal importance for his development. Yet though he embraced the art of Gentile his character remained essentially Sienese, partly because he deliberately sought to adapt ideas and motifs from compositions by earlier local (and non-local) painters, shrewdly masking them and merging them into highly innovative images of distinct personal quality. One of the hitherto unresolved questions in the scholarly assessment of Giovanni di Paolo involved his training and early evolution in a major workshop. The present study focuses on his apprenticeship (c.1410-1417) and - in light of a newly rediscovered early Virgin of Humility - his subsequent development as he broke away from his first teachers (1417-1426). The second part of the volume offers a survey of Giovanni di Paolo's biography and career, with a discussion of some of his dated works.

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