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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Date with death. Dream, not fear

Rubbettino Editore

Soveria Mannelli, 2099; paperback, pp. 142, cm 14,5x22,5.
(Varia).

series: Varia

ISBN: 88-498-7075-2 - EAN13: 9788849870756

Languages:  italian text  

Weight: 0.2 kg


These pages focus on death, and the fears that come with it, hypothesizing a kind of humanization of extreme pain, i.e. its possible de-naturalization. Whatever interpretation we choose, either from an existential or a phenomenological point of view, it is dominated by personal feelings, by the way in which the "I" tries to elude pain, creating both individual sufferance and exitus. For centuries humans cried "Kyrie Eleison"; Lord, be benevolent with us; Lord, we ask for your pity. But to-day personal salvation is demanded to tèchne, not to God's compassion. The pain in the world is the result of individual brutalization, of human insufficiency in comparison with the overwhelming power of technique, displayed in its terrific magnificence. The new Promised Land coincides with full activity and financial interest. The living time is the shrine of what is human. Since the development of technical science will open endless doors of possibilities, we must repeat, in accordance with Christ's words: Give to tèchne what belongs to technical science, and to soul what belongs to soul, in order to measure the former using the latter. The project of humanization of extreme pain can be explained through the metaphor of a severed rose. This process places the lifeless flower into a vase, extending its ability to be without being, just like every other rose.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci