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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Claudio Borghi. Sculture, 1998-2001

Edizioni Gabriele Mazzotta

Milano, 2002.
Italian and English Text.
Milano, 2002; paperback, pp. 60, 17 b/w ill., 11 col. ill., cm 23x27.
(Biblioteca d'Arte).

series: Biblioteca d'Arte

ISBN: 88-202-1524-1 - EAN13: 9788820215248

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Places: No Place

Languages:  english, italian text   english, italian text  

Weight: 0.36 kg


Claudio Borghi, was born in Barlassina (Milan) in 1954, he is an artist and teacher of art history who studied at the Academy of Brera. Sculpture is the discipline that made him famous: a genial heir of two centuries of Milanese tradition, Borghi refuses the literary concept of modernity in order to follow his own and personal artistical path that makes of him a sculptor en poète. His sculpture is always conceived as a body, a substance that changes in time and keeps his sensuality and disposition to physical modifications, perceivable by eyes and touch.

This book presents the most recent works by Claudio Borghi: each one is introduced by a commentary of the sculptor that permits the reader to seize its deepest poetic meaning. In these works the artist renounces the composition of dramatic matters thanks to complex articulations, a peculiar feature of his production before 1998, in order to rediscover the elementary forms implicitly anthropomorfic of menhirs.

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