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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Il Giappone in Miniatura. Le cartoline illustrate giapponesi dal 1898 al 1950. Japan In Miniature. Japanese Picture Postcards from 1898 to 1950

Aiòn Edizioni

Italian and English Text.
Firenze, 2015; paperback, pp. 108, b/w and col. ill., cm 24x22.

ISBN: 88-98262-25-6 - EAN13: 9788898262250

Subject: Collectables (Antiquities, Rarities and Oddities),Collections,Graphic Arts (Prints, Drawings, Engravings, Miniatures),Maps, Documents, Old and Rare Books

Places: Out of Europe

Extra: Oriental Art and Culture,Postcards

Languages:  english, italian text   english, italian text  

Weight: 0.54 kg


"The world of Japanese postcards now strikes us as a great whirl of images, as it were, of magic miniatures in watercolour that seem to convey a thrill and move through a dream, in comparison with the postcards of the contemporary, repetitious series of views of European cities. Postcards are in good health, have their own real, independent place in that "world of signs" that the "light room", as Roland Barthes called it, has given us of Japan and its tiny miniature universe.
The centre of this landscape universe, the point from which everything seems to start and to which everything seems to return, is always the view of Fujiyama, the sacred mountain of Japan. Mount Fuji is the two-thousand-years-old icon of this world of images, as in the West the Egyptian Pyramids or the Greek Parthenon; but unlike these two icons, which are man-made, it is an icon of nature, and one never suspects that this too - a mountain - is a cultural representation: the views of Mount Fuji impose themselves on our sight, like the sea, a forest, a river and a storm, snow and rain, like an essence that existed before man and will outlive man's disappearance, as if it contained the secret of the universe and at the same time were divine in its essence. But this too, all in all, is a myth, a symbol of a changeless nature: ideal, but not true. Mount Fuji, too, like all the rest, remains a vision". Marco Fagioli

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