Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
cover price: € 150.00
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Books included in the offer:
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
FREE (cover price: € 150.00)
Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli
Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.
FREE (cover price: € 98.00)
Vincenzo Meucci
Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).
FREE (cover price: € 50.00)
Gherardo Bosio. Opera Completa 1927-1941
Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).
FREE (cover price: € 60.00)
Ettore Sottsass. Metaphors
Ettore Sottsass
Skira
Edited by M. Carboni and Radice B.
Milano, 2017; bound, pp. 132, 106 b/w ill., 4 col. ill., cm 24x34.
(Architettura. Monografie).
series: Architettura. Monografie
Other editions available: Edizione Italiana (ISBN: 88-8118-323-3). French Edition (ISBN: 88-8118-324-1).
ISBN: 88-8491-325-X - EAN13: 9788884913258
Subject: Architects and their Practices,Design,Essays (Art or Architecture)
Period: 1960- Contemporary Period
Places: No Place
Languages:
Weight: 1.2 kg
Conceived and designed in its entirety by Ettore Sottsass, the book is at once a homage to the Milanese architect and designer's conceptual and artistic experiences between the end of the sixties and the beginning of the seventies and an interesting reinterpretation of them. Considered one of the world's most acute and provocative designers since World War II, the founder of Memphis and an icon of postmodern culture, Sottsass has always combined his work in the field of design with the use of photography as a means of reflecting on reality and the role of vision.
The historical phase covered in this book is fully representative of a crucial moment of research and confrontation with the avant- garde movements in contemporary art—from Pop Art to Land Art—and at the same time provides an opportunity for a meditation, often ironic, on the role of the architect today. The photographs and graphic materials, executed in the United States, Italy and Spain between 1968 and 1976—and previously unpublished—have been assembled by the author himself and arranged in a sort of melodramatic account a posteriori in which the author holds a dialogue with his past and his memory. A private journal and at the same time a story told in pictures, which reveals the complex cultural and visual roots of Sottsass's work as well as offering us a glimpse of the great designer's mental and creative processes.










