Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 12.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Claudio Parmiggiani. L'isola del silenzio
Nancy Jean-Luc. L. Spina Elena
Umberto Allemandi
Translation by Gachignard C.
Italian, French and Dutch Text.
Torino, 2006; paperback, pp. 104, ill., tavv., cm 24x34.
ISBN: 88-422-1409-4 - EAN13: 9788842214090
Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Photography
Period: 1960- Contemporary Period
Places: Europe
Languages:
Weight: 0.68 kg
Claudio Parmiggiani's installation "L'Isola del Silenzio" has been sited here: a magnificent Lombard bell in bronze, placed on the floor in front of an irregular pyramid of books, piled up one against the other like the stones of an old building, in place of the altar.
The artist's taste for allegory, the close relationship between space and art work, the silence, the ashes and dust settling on the paper, all create a psychological and ethical place characterised by angst and melancholy, but also a symbolically resistant rock that silently opposes the devastation of culture.
The silent shape of the bell now stands where the choir once sang in harmony; where there was once a library with its treasure of knowledge and learning, a pile of useless paper remains.
Parmiggiani's cry of alarm and pain is directed, with hope, towards more attentive and sensitive souls.