Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Rembrandt Bugatti. The Sculptor 1884-1916
Demandt Philipp
Hirmer Verlag
English Text.
München, 2014; hardback, pp. 224, 247 col. ill., cm 24,5x29,5.
ISBN: 3-7774-2188-X - EAN13: 9783777421889
Subject: Monographs (Sculpture and Decorative Arts)
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1.42 kg
The powerful sculptures of Rembrandt Bugatti, brother of the famous carmaker, followed the tradition of the great impressionists, with additional influences from art nouveau, symbolism and the Belle Époque. While his earlier models closely mimic the creatures they are based on, Bugatti's later, more technically advanced works tend toward geometric abstraction. In showing the entire range of his work, this beautifully illustrated book reveals the impressive command the artist had over the sculptural art. This is a spectacular rediscovery of an artist who died young and has remained unnoticed in most surveys published on the art of sculpture around 1900.










