Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
William Bouguereau
Damien Bartoli - Frederick Ross
Antique Collectors' Club
English Text.
Woodbridge Suffolk, 2011; pp. 904, cm 23x30.
ISBN: 1-85149-612-2 - EAN13: 9781851496129
Subject: Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0.01 kg
Bouguereau wanted to become a serious history painter and his efforts paid off in 1850 when he won the much coveted Prix de Rome (meaning that the French government paid him to stay in Rome and study art). After his studies in Italy, he established his reputation in Paris as a premier history painter, portraitist, and decorator of churches during the 1850s and 1860s. He was elected to the Académie des Beaux-Arts in 1876 and remained an important and influential member for 30 years. His large output of Salon paintings was consistently praised by critics, often purchased by the French state, and frequently reproduced in the press. He won numerous awards throughout his career and can be seen as the epitome of the French Academy.










