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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Rubem Valentim. The Brazilian Trace. A Riscadura Brasileira

Mousse Publishing

Edited by Cristiano Raimondi.
Texts by Giulio Carlo Argan, Cristiano Raimondi, Claudia Fazzolari and Daniel Rangel.
Italian and English Text.
Milano, 2022; hardback, pp. 160, ill., cm 16,5x23,5.

ISBN: 88-6749-566-6 - EAN13: 9788867495665

Subject: Essays (Art or Architecture)

Languages:  english, italian text   english, italian text  

Weight: 0 kg


Published on the occasion of the exhibition The Brazilian Trace. A Riscadura Brasileira, the catalogue documents the long career of Rubem Valentim (1922–1991). In 1965, Rubem Valentim presented his first solo exhibition outside Brazil in Rome at Palazzo Pamphilj. Fifty-seven years later, Palazzo Pamphilj hosts a new anthological show celebrating the artist’s centenary in a city, country, and continent that was crucial for his career: he was one of the first Afro-Brazilians to achieve an international profile in the arts. The publication retraces his most significant milestone thanks to the precious contributions of Cristiano Raimondi and Daniel Rangel, curators of the exhibitions, and the extended chronology written by Claudia Fazzolari. A text remarks on the pillar figure that Valentim had in the Afro-Brazilian art by Giulio Carlo Argan. The catalogue is widely illustrated with archival documentation and artwork images. Particular attention has been dedicated to the paintings from the so-called “Rome phase.” A special booklet of photographs made by the artist himself during his permanence in the Italian capital accompanies the publication.

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