Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
The Photograph as Contemporary Art
Cotton Charlotte
Thames & Hudson Ltd
English Text.
London, 2009; paperback, pp. 248, col. ill., cm 15x21.
ISBN: 0-500-20401-2 - EAN13: 9780500204016
Subject: Photography
Languages:
Weight: 0.53 kg
This book, now updated and expanded, is a profusely illustrated survey of the use of photography in contemporary art since the mid-1980s. It features the work of more than 170 of internationally renowned and up-and-coming artist-photographers, including Andreas Gursky, Nan Goldin, Philip-Lorca diCorcia, Richard Billingham, Jurgen Teller, Thomas Demand, Christopher Williams, Sherrie Levine, Jeff Wall, Wolfgang Tillmans, Zoe Leonard, and many more. Themed chapters consider subjects such as narrative and storytelling in art photography, photographing the everyday and the insignificant, the use of photography in conceptual art, and the cool, detached, and objective aesthetic prevalent in current art photography. A new eighth chapter examines why many artists, in the age of digital photography, make work that focuses on the physical and material properties of photography, respond to the changing means of distributing photographic images, and push the boundaries of technology to reach larger and more diverse audiences.









