Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; hardback, pp. 440, 300 col. ill., cm 25,2x29,8.
cover price: € 80.00
|
Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; hardback, pp. 440, 300 col. ill., cm 25,2x29,8.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Giuseppe Consoli Guardo. For Antonello and Zanetto: new perspectives.
Consoli Guardo Giuseppe
Nexo
Translation by Richard Sadleir.
English Text.
Milano, 2026; paperback, pp. 328, col. ill., cm 17x24.
Edizione italiana 9788896451540.
ISBN: 88-96451-95-7 - EAN13: 9788896451953
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1000-1400 (XII-XIV) Middle Ages
Languages:
Weight: 1.071 kg
The author reconstructs Antonello's youthful years, still little known, conjecturing that his hand is evident in the fresco known as the "Triumph of Death" in Palermo, alongside Zanetto and the Burgundian artist Guillaume Spicre. Consoli Guardo sees this encounter as clarifying the enigmatic connection between Antonello and Zanetto. It projected the young painter from Messina into an itinerant formative period that brought direct insights into the most important places of art of his time, in both Italy and abroad, while enjoying the hospitality of monastic bodies, in the Quattrocento centres of fertile cultural exchanges.
In reviewing some well-known fifteenth-century works, Consoli Guardo reconsiders their attribution, proposing Antonello's authorship for many of them. In the case of some portraits already ascribed to the Sicilian painter, he then suggests the identification of the likenesses with famous figures in the history of the Italian Quattrocento, from Galeazzo Maria Sforza to Lorenzo de' Medici. In this volume published posthumously, Consoli Guardo opens up new perspectives for historical research, with a consideration of the contribution that Antonello da Messina made to art, not only in Italy but explicitly in Europe.
Giuseppe Consoli Guardo graduated in 1946 in Modern Literature with a thesis in Art History. In 1948 he started work as an archaeologist and then as an art historian specialising in the Quattrocento, while pursuing a scholarly-executive career in the cultural superintendencies of the Italian State, notably in Milan from 1959 to 1974. From 1968 to 1971, he directed the Museo Nazionale di Messina and then returned to the Soprintendenza ai Monumenti di Milano.
Raffaela Mariniello. Terra Fertile, Terra di Lavoro, Terra dei Fuochi









