Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
La mia piccola cucina
Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.
FREE (cover price: € 29.90)
Torte in fiore. Raffinate creazioni floreali in pasta di zucchero
Translation by Destro P. and Tosi L.
Milano, 2014; clothbound, pp. 224, ill., cm 25x29.
(Gli Illustrati).
FREE (cover price: € 35.00)
Orticola di Lombardia. 150 anni di associazione, 20 anni di mostra
Edited by Pizzoni F.
Milano, 2016; bound, pp. 279, ill., cm 24,5x24,5.
FREE (cover price: € 35.00)
For Antonello and Zanetto: new perspectives. Ediz. a colori
Consoli Guardo Giuseppe
Nexo
Translation by Richard Sadleir.
English Text.
Milano, 2026; paperback, pp. 328, ill., cm 17x24.
ISBN: 88-96451-95-7 - EAN13: 9788896451953
Subject: Painting
Period: 1000-1400 (XII-XIV) Middle Ages
Languages:
Weight: 1.071 kg
The author reconstructs Antonello's youthful years, still little known, conjecturing that his hand is evident in the fresco known as the "Triumph of Death" in Palermo, alongside Zanetto and the Burgundian artist Guillaume Spicre. Consoli Guardo sees this encounter as clarifying the enigmatic connection between Antonello and Zanetto. It projected the young painter from Messina into an itinerant formative period that brought direct insights into the most important places of art of his time, in both Italy and abroad, while enjoying the hospitality of monastic bodies, in the Quattrocento centres of fertile cultural exchanges.
In reviewing some well-known fifteenth-century works, Consoli Guardo reconsiders their attribution, proposing Antonello's authorship for many of them. In the case of some portraits already ascribed to the Sicilian painter, he then suggests the identification of the likenesses with famous figures in the history of the Italian Quattrocento, from Galeazzo Maria Sforza to Lorenzo de' Medici. In this volume published posthumously, Consoli Guardo opens up new perspectives for historical research, with a consideration of the contribution that Antonello da Messina made to art, not only in Italy but explicitly in Europe.
Giuseppe Consoli Guardo graduated in 1946 in Modern Literature with a thesis in Art History. In 1948 he started work as an archaeologist and then as an art historian specialising in the Quattrocento, while pursuing a scholarly-executive career in the cultural superintendencies of the Italian State, notably in Milan from 1959 to 1974. From 1968 to 1971, he directed the Museo Nazionale di Messina and then returned to the Soprintendenza ai Monumenti di Milano.
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