Nicola Grassi (1682-1748)
Treviso, 2019; hardback, pp. 532, b/w and col. ill., b/w and col. plates, cm 24x30.
cover price: € 90.00
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Books included in the offer:
Nicola Grassi (1682-1748)
Treviso, 2019; hardback, pp. 532, b/w and col. ill., b/w and col. plates, cm 24x30.
FREE (cover price: € 90.00)
Carlo Dolci. Complete Catalogue of the Paintings
English Text.
Firenze, 2015; paperback, pp. 392, 100 b/w ill., 186 col. ill., cm 24,5x28,5.
FREE (cover price: € 150.00)
Yves Clerc. [English Ed.]
Bonafoux Pascal - Alestchenkoff Catherine
Skira
English Text.
Milano, 2008; clothbound, pp. 168, b/w and col. ill., tavv., cm 31x31.
Other editions available: Franch Edition (ISBN: 88-6130-530-X).
ISBN: 88-6130-529-6 - EAN13: 9788861305298
Subject: Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1.78 kg
Catherine Alestchenkoff was born in 1962. Art historian, she collaborated for eight years with the Musée d'Art Moderne of Paris as a researcher for exhibition catalogues (Kees Van Dongen, 1990; Figures du Moderne, 1992) and afterward as exhibition assistant (Derain, 1994). Then, in Paris-Musées, she joined the "Edition d'objets" department, with responsibility for conception and editorial proceedings for derivative product lines. Since its opening in 2000, she has been director of cultural events at the Grimaldi Forum of Monaco, the Principality's cultural and congressional centre, which produces artistic exhibitions of international scope, generally dedicated to a major artistic movement or to a subject of patrimony or civilization, such as "Air-Air" (2000); "SuperWarhol" (2003); "Impérial Saint-Pétersbourg, de Pierre le Grand à Catherine II" (2004); "Arts of Africa" (2005); and "Les Années Grace Kelly, Princesse de Monaco" (2007), to cite just a few. These projects offer the opportunity of collaborating with numerous collectors and institutions throughout the world, and of maintaining privileged relations with the greatest specialists in the field of art.
An admirable lure. It is not without utility, before Yves Clerc's works, to remember the words Octave Mirbeau wrote to his friend Claude Monet: "We are in complete agreement: in painting, it is through the eyes that the thought should be excited."
Marcello Piacentini. Maestro di Edilizia cittadina e di Disegno urbano