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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

David d'Angers. Dessins des Musées d'Angers

Somogy Editions d'Art

French Text.
Paris, 2013; paperback, pp. 136, ill., cm 18x25.

ISBN: 2-7572-0627-3 - EAN13: 9782757206270

Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  french text  

Weight: 0.56 kg


The sculptor David d'Angers (Angers, 1788 - Paris, 1856), a major figure of French Romanticism, left a great many drawings which afford insight into the evolution of his art and his connections with the literary and artistic circles of his day. His early drawings reflect his classical, academic education. In 1811, he was awarded the Grand Prix de Sculpture-but his fascination with modern history soon came to predominate, and his republican convictions inspired work he intended as educational, in commemoration of great men: the heroes of the revolutionary wars that marked his childhood, and those who served under Bonaparte. The drawings of David d'Angers reflect the intensity of the preparatory work he did to create a bas-relief that could convey a life story or a statue that could capture the drama of a heroic deed or death. His portraiture was deeply influenced by phrenology. This sculptor of a remarkable head of Goethe was also a collector of drawings, some of which are featured in this exhibition; his collection included watercolors by Caspar David Friedrich, again reflecting his interest in German art.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci