De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
|
Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Tomaso Buzzi at Venini
Barovier Marino
Skira
Venice, Isola di San Giorgio Maggiore, 14 September 2014 - 11 January 2015.
English Text.
Milano, 2015; clothbound, pp. 336, 1000 b/w and col. ill., cm 28,5x30,5.
ISBN: 88-572-2247-0 - EAN13: 9788857222479
Subject: Glass
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 3.67 kg
An architect, designer, interior decorator and columnist for Domus magazine, Tomaso Buzzi (1900-1981) was-together with Gio Ponti-one of the most important trendsetters for Italian taste in the 1930s and 1940s. After the monographs devoted to Carlo Scarpa and Napoleone Martinuzzi, this volume further extends Le Stanze del Vetro, a series devoted to the history of the Venini glasshouse.
A catalogue raisonné, the volume provides a complete overview of the refined oeuvre of Buzzi, who worked in close partnership with Venini & Co. in 1932 and 1933.
In those years, the architect designed a series of vases with classical shapes, standing out as a creative designer thanks to his research on materials and shapes, extending as far as to encompass the field of lighting, where the architect devised some new applications of Murano glass.










