Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Napoleone Martinuzzi. Venini 1925-1931
Barovier Marino
Skira
Venice, Island of San Giorgio Maggiore, September 8 - December 1, 2013.
English Text.
Milano, 2013; clothbound, pp. 480, 1780 col. ill., 1780 col. plates, cm 29x31.
ISBN: 88-572-2140-7 - EAN13: 9788857221403
Subject: Glass,Monographs (Sculpture and Decorative Arts)
Languages:
Weight: 2.84 kg
This book reviews his entire production as a glass designer, consisting of about 600 works identified after lengthy and thorough research.
Unpublished records in the Archivio Storico Venini have allowed researchers to appreciate the full extent of Martinuzzi's contribution to the factory's production and to identify many of his designs, some of which were previously unknown.
After devising elegant clear blown glass objects, the artist went on to explore previously unseen matter like bubble glass and opaque glass in intense and solid colours.
In so doing Martinuzzi designed a wide repertoire of vases, cups, lights, and peculiar decorative objects like fruits, coloured glass creatures and succulent plants, some of which were monumental in size.
The book contains a wide range of period photographs, signed designs and factory drawings.










