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DEAL OF THE DAY

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

cover price: € n.d.

Boldini e la Moda.

Total price: € 96.00 € 195.00 add to cart carrello

Books included in the offer:

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

FREE (cover price: € n.d.)

Boldini e la Moda.

Le nuove boutique. Moda e design

Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.

FREE (cover price: € 43.00)

Le nuove boutique. Moda e design

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).

FREE (cover price: € 6.00)

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Alta Moda, Grande Teatro

Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.

FREE (cover price: € 22.00)

Alta Moda, Grande Teatro

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The Grey Catalogue

Witty Kiwi Books

English Text.
Torino, 2025; hardback, pp. 48, col. ill., cm 16x24.

EAN13: 9791280177537

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0 kg


The Grey Catalogue is a photographic project by Barbara Rossi that explores the architecture of Shanghai's neighborhoods in the process of demolition, focusing on the old Lilong residential areas and traditional Shikumen architecture. Through a visual investigation of the grey shades that characterize these spaces, Rossi documents the erosion of collective memory and the rapid urbanization that is wiping out vital traces of the city's history.

The project unfolds as an act of archiving, an attempt to freeze time and preserve the identity of these areas before they are erased by the unchecked growth of the metropolis. Grey, chosen as the central color, becomes a symbol of melancholy, absence, and indifference toward historical memory. The photographs are accompanied by descriptive notes that tell the story and architectural features of the buildings, turning archiving into an act of remembrance and reflection on contemporary life.

With The Grey Catalogue, Rossi does more than just document; she raises broader questions about the meaning of preservation, loss, and the relationship between the past and future of modern cities.

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