Beato Angelico
Firenze, Palazzo Strozzi, 26 settembre 2025 - 25 gennaio 2026.
A cura di Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; ril., pp. 456, 300 ill. col., cm 24x29.
prezzo di copertina: € 80.00
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Libri compresi nell'offerta:
Beato Angelico
Firenze, Palazzo Strozzi, 26 settembre 2025 - 25 gennaio 2026.
A cura di Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; ril., pp. 456, 300 ill. col., cm 24x29.
OMAGGIO (prezzo di copertina: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; ril., pp. 320, ill. col., tavv. col., cm 25,5x29.
OMAGGIO (prezzo di copertina: € 77.00)
Segni dell'Eucarestia
A cura di M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; br., pp. 221, ill. b/n e col., cm 24x28.
OMAGGIO (prezzo di copertina: € 32.00)
Decommunized. Ukrainian Soviet Mosaics
Yevgen Nikiforov
DOM Publishers
A cura di Olga Balashova e Lizaveta German.
Illustrazioni di Nikiforov Y.
Testo Inglese.
Berlin, 2017; ril. in tela, pp. 250, 200 ill. col., cm 24x28,5.
ISBN: 3-86922-583-1 - EAN13: 9783869225838
Soggetto: Architettura e Arte Civile,Mosaico,Pittura
Periodo: 1800-1960 (XIX-XX) Moderno
Testo in:
Peso: 0.79 kg
Photographer Yevgen Nikiforov spent three years traveling all around Ukraine (including the presently occupied Autonomous Republic of Crimea, Donetsk and Lugansk oblasts) in search of the most interesting art pieces of the 1950s-1980s within the context of Soviet Modernism.
He covered 35,000km of Ukrainian roads and visited 109 cities and villages to discover more than 1,000surviving mosaics. The book includes approximately 200 unique photo graphs of monumental panels: offi cially sanctioned gigantic images of workers, farmers, astronauts and athletes of colored smalto or ceramics illustrate Soviet life as it was meant to be represented, drawing paral lels to the over arching themes inherent within a more widely known Soviet archi tectural project, namely the Moscow metro. Some of the pieces featured here were demolished shortly after the photographs were taken: they fell afoul of the so-called decom munization laws that ban communist symbols and slogans. Though the content of Soviet art was meticulously controlled by state propaganda, Ukrainian artists managed to develop a visual language that transcends the Socialist Realist canon. Today these works serve as historical testi mony, and show a new important page in 20th-century art history.
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