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OFFERTA DEL GIORNO

Nicola Grassi (1682-1748)

Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.

prezzo di copertina: € 90.00

Nicola Grassi (1682-1748)

Costo totale: € 90.00 € 240.00 aggiungi al carrello carrello

Libri compresi nell'offerta:

Nicola Grassi (1682-1748)

Treviso, 2019; cartonato, pp. 532, ill. b/n e col., tavv. b/n e col., cm 24x30.

OMAGGIO (prezzo di copertina: € 90.00)

Nicola Grassi (1682-1748)

Carlo Dolci. Complete Catalogue of the Paintings

Testo Inglese.
Firenze, 2015; br., pp. 392, 100 ill. b/n, 186 ill. col., cm 24,5x28,5.

OMAGGIO (prezzo di copertina: € 150.00)

Carlo Dolci. Complete Catalogue of the Paintings

chiudi

Mobilizing money for the common good. The social dimension of credit (14th-19th century)

Il Mulino

Bologna, 2024; br., pp. 300.
(Percorsi).

collana: Percorsi

ISBN: 88-15-38828-1 - EAN13: 9788815388285

Testo in: testo in  italiano  

Peso: 0.33 kg


The idea and the techniques of gathering money for public goals have a long and complex history. Focusing on Western Europe, since the thirteenth century credit innovations were closely tied to economic progress and had a lasting impact. Yet, credit and debt relations were not only developed among professional traders, they permeated nearly all aspects of life, shaping public policies, social relations, and people's identities. Adopting a broad chronological and geographical approach, this volume explores how the mobilization of capital in the pursuit of the public good took place in different contexts. Particular attention is devoted to government's ways of mobilizing money for the public good, attracting investors and nurturing trust; to early forms of «crowdfunding» in order to support proto-welfare agencies; to the social dimension of small credit, charting the rise of institutions contrasting exploitative techniques and providing affordable credit at the lower end of social ladder.

COMPRA ANCHE



OFFERTE E PROMOZIONI
€ 26.60
€ 28.00 -5%

10 giorni


design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci