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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 440, 300 col. ill., cm 25,2x29,8.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 440, 300 col. ill., cm 25,2x29,8.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Pietro Vannucci. Il Perugino

Volumnia

Atti del convegno internazionale di studi, October 25 - October 28, 2000.
Edited by Teza L.
Perugia, 2004; paperback, pp. 478, 22 numbered out of text col. plates, cm 21x30.

ISBN: 88-89024-03-8 - EAN13: 9788889024034

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting,Sculpture

Period: 1400-1800 (XV-XVIII) Renaissance

Places: No Place

Languages:  italian text  

Weight: 2.65 kg


Pietro Vannucci called Perugino was born in Città dells Pieve, a town that was part of the Commune of Perugia in that period. After his first contacts with the artistic reality of Perugia, according to Vasari's writing in 1550, he approached Piero della Francesca. In 1472 Perugino joined the san Luca Society in Florence. At the same time he began to attend the prestigious workshop of Andrea del Verrocchio. Being a long habitué of the Florentine environment profoundly influenced his artistic expression, to such a degree that his contemporaries did not hesitate to consider him a Tuscan Master: << Pietro Perugino, can be well-called Florentine, he who has grown-up here>> (F.Albertini, 1510). Giovanni Santi, Raphael's father (c.1485), underlined his similarity of temperament with Leonardo da Vinci, no doubt encountered in Verocchio's workshop.

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