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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Giorgio Morandi. Time Suspended, part II

Umberto Allemandi

Edited by De Simone A. and Pasquali M.
Edited by Marilena Pasquali, Arianna De Simone, Maria Chiara Romiti, Marco Zindato.
English Text.
Torino, 2025; hardback, pp. 180, 105 col. ill., cm 28x30.

Other editions available: Edizione italiana 88-422-2639

ISBN: 88-422-2727-7 - EAN13: 9788842227274

Subject: Monographs (Painting and Drawing),Painting

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 1 kg


Curated by Marilena Pasquali, Arianna De Simone, Maria Chiara Romiti, Marco Zindato. With contribution by Robert Storr, Siri Hustvedt, Ed Ruscha, Massimo Recalcati. With Time Suspended, Part II, Galleria Mattia De Luca sought to continue the curatorial journey begun with the exhibition Giorgio Morandi. Il tempo sospeso (Rome, 2022), enriching it with a significant second chapter-distinctly American in character. In a historic New York townhouse-an elegant 19th-century residence on the Upper East Side near Central Park-gallerist Mattia De Luca and Marilena Pasquali chose to present the work of the great Bolognese master, while evoking the intimate domestic atmosphere of his studio and the fertile relationships he cultivated with the United States, beginning in the 1930s and continuing unbroken ever since. Notably, New York was the first American city to host a solo exhibition of Morandi's work, held at the Delius Gallery in 1955. The project, the result of a renewed collaboration with the Giorgio Morandi Study Centre in Bologna, set out to retrace the artist's creative arc through more than sixty works, including etchings, watercolors, drawings, and oil paintings, produced between 1914 and 1964. These precious variations on the themes of still life and landscape - "musicated" by the painter from Grizzana through his masterful use of color and form - offered an important opportunity for historical and critical reflection.

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