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DEAL OF THE DAY

Santa Maria Novella, la Basilica e il Convento. I. dalla Fondazione al Tardogotico

Edited by De Marchi A.
Coordinamento scientifico di Carlo Sisi.
Campagna fotografi ca di Antonio Quattrone.
Firenze, 2015; bound, pp. 320, 450 col. ill., cm 25x33,5.
(Le Chiese di Firenze).
(Le Chiese di Firenze.).

cover price: € 50.00

Santa Maria Novella, la Basilica e il Convento. I. dalla Fondazione al Tardogotico

Total price: € 50.00 € 150.00 add to cart carrello

Books included in the offer:

Santa Maria Novella, la Basilica e il Convento. Volume 3. Dalla ristrutturazione vasariana e granducale ad oggi

Edited by Riccardo Spinelli and Spinelli R.
Illustrations by A. Quattrone.
Photographs by Quattrone Antonio.
Firenze, 2018; bound, pp. 355, 416 col. ill., cm 24x33,5.
(Le Chiese di Firenze).

FREE (cover price: € 50.00)

Santa Maria Novella, la Basilica e il Convento. Volume 3. Dalla ristrutturazione vasariana e granducale ad oggi

Santa Maria Novella, la Basilica e il Convento. Volume 2. Dalla Trinità di Masaccio alla Metà del Cinquecento

Edited by De Marchi A.
Firenze, 2018; bound, pp. 292, col. ill., cm 25x33,5.
(Le Chiese di Firenze).

FREE (cover price: € 50.00)

Santa Maria Novella, la Basilica e il Convento. Volume 2. Dalla Trinità di Masaccio alla Metà del Cinquecento

chiudi

Aldo Mondino. Scultore. Sculptor

Umberto Allemandi

Pietrasanta, Chiesa di Sant'Agostino, September 12 - December 12, 2010.
Torino, Galleria Biasutti & Biasutti, October 1 - October 30, 2010.
Edited by Valerio Dehò.
Italian and English Text.
Torino, 2010; hardback, pp. 142, b/w and col. ill., tavv., cm 24,5x29.

ISBN: 88-422-1905-3 - EAN13: 9788842219057

Subject: Collections,Monographs (Sculpture and Decorative Arts)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.94 kg


An eclectic artist who always strove to experiment with new materials and unprecedented forms of expression, Aldo Mondino is now acknowledged to have been one of the greatest italian artists since the war. His work ranges from collage to painting, to installation and sculpture, but sculpture in particular forms a leit-motif in his work, for the Turin-born artist always sought out plastic solutions even iun his approach to painting.

For the first time, we here have an overview of his activity from the 1960s through to his untimely death in 2005. The story of his extraordinay creations is accompanied by his unique research into materials, which ranged from chocolate to bronze, to ceramic and glass, and through to wood and Bic ballpoint pens.

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