Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Gianni Berengo Gardin. Reportrait. Incursioni nel Mondo della cultura. Incursions of a reporter into the world of culture. [Edizione italiana e inglese]
Umberto Allemandi & C.
Novara, Orta San Giulio, May 23 - October 18, 2009.
Orta San Giulio, PALAZZO PENOTTI UBERTINI, May 23 - October 18, 2009.
Napoli, Madre, May 29 - September 14, 2009.
Edited by Arensi F.
Italian and English Text.
Torino, 2009; bound, pp. 254, ill., 214 b/w plates, cm 28x28.
(Varia).
series: Varia
ISBN: 88-422-1766-2 - EAN13: 9788842217664
Subject: Collections,Photography
Period: 1960- Contemporary Period
Languages:
Weight: 2.15 kg
Every shot brings out the distinctive vision of a man whom Italo Zannier, in his Storia della fotografia italiana, referred to as "the most remarkable post-war photographer".
In his introduction, Flavio Arensi writes: "Since 2001 Gianni Berengo Gardin has been marking his prints with a stamp that shows the power of his long-term project: ?Authentic photograph. Not corrected, modified or invented on the computer'. He shapes the borders of the reporter?s profession, not bowing to the demands of taste, but simply recording reality without intervening. And that is it: reality. It is not that of the poet or, more in general, of the artist, for it acquires documentary form. At times, and with pleasure, I feel he enjoys going against any erudite interpretations of his works, returning to that of his own original profession".











