Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Phanton Ambition. Ryan Gander
Tonini
First edition of 500 copies.
Edited by Ann-Marie James and Phil Mayer.
English Text.
Brescia, 2025; paperback, pp. 124, cm 24x32,5.
EAN13: 9791280784209
Subject: Essays (Art or Architecture),Painting
Languages:
Weight: 0 kg
"Whenever I am unable to sleep, I choose a museum, a space I know well, I choose a theme, I choose artists, artworks, collisions and... I curate. And although I do that only in my head, it seems to do the job... I drop off before I can begin to imagine the opening reception.
I love curating, but 90% of the enjoyment of that act probably constitutes 10% of the job; so I invented an activity for myself that would be more efficient in that pleasure to labour ratio. I call it Phantom Ambitions.
Over the past year or so, whilst making this project, many friends and visitors to the studio who saw these works, surprisingly to me, asked me different questions that invariably led me to consider, and to reconsider, my motives. The questions were in relation to whether I was making an idealised version of reality'... or whether, I guess, I was trying my best? Was my objective to try to make something that would please people? I've often thought that the essence of the motive of an artists actions are almost always more telling, and more interesting, than anything else about their practice."
Ryan Gander, extract from the foreword.










