LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Coop Himmelb(l)au
Taschen
Edited by Gossel P.
English, French and German Text.
Köln, 2010; clothbound, pp. 528, ill., cm 35x45.
(Extra Large).
series: Extra Large
ISBN: 3-8365-1788-4 - EAN13: 9783836517881
Subject: Civil Architecture/Art,Design
Languages: 
Weight: 5.65 kg
Open-minded designs and undefined spaces of radical architecture.
"Coop Himmelb(l)au is not a color but an idea of creating architecture with fantasy, as buoyant and variable as clouds." So the architecture group itself defines its name and design concept. Beginning with inflated bubbles and interactive installations in the 1960s, the group, consisting of the architects Wolf D. Prix, Helmut Swiczinsky and Michael Holzer, began to create harsh interventions in the urban context under the headline "architecture must burn." The designs of the buildings are like oversized sound boxes, with dancing silhouettes and collapsing lines that are always rushing and echoing. As one of only a few groups in those early times, they are among the leading international architecture offices today, justified by their outstanding expressiveness and professionalism.
