LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Maria Helena Vieira da Silva. Il labirinto del tempo
Skira
Reggio Emilia, Palazzo Magnani, March 30 - May 25, 2003.
Edited by S. Parmiggiani and Calzetta Jaeger C.
Milano, 2003; paperback, pp. 128, 35 b/w ill., 52 col. ill., cm 24x28.
(Arte Moderna. Cataloghi).
series: Arte Moderna. Cataloghi
ISBN: 88-8491-579-1 - EAN13: 9788884915795
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Extra: Iberic Art and Culture
Languages: 
Weight: 0.699 kg
Sixty paintings document sixty years of activity by the Portuguese painter Maria Elena Vieira da Silva (Lisbon 1908 - Paris 1992), whose work which has exercised a powerful influence in Italy too is characterized by a sort of obsession with composition that gives rise to imaginary locations, labyrinths and multiple perspectives.
A series of masterpieces outstanding among them La machine optique (1937), Le désastre ou La guerre (1942) and Les grandes constructions (1956) guides the reader on an exploration of Vieira da Silva's favorite subjects, such as libraries, cities, ateliers, ports, stations and landscapes.
Out of Catalog
