LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Vincent van Gogh. Timeless country. Modern city
Skira
Roma, Complesso Monumentale del Vittoriano, 6 October 2010 - 20 February 2011.
English Text.
Milano, 2011; clothbound, pp. 279, b/w and col. ill., tavv., cm 28x30.
ISBN: 88-572-0825-7 - EAN13: 9788857208251
Subject: Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period
Languages: 
Weight: 2.49 kg
Admired for his light-filled landscapes as much as for his impassioned portraits, Vincent Van Gogh was an impetuous painter with a cavalier disregard for convention when it suited him. At the same time he was a sophisticated thinker, fluent in several languages, trained as an art dealer. Though often plagued by several doubts about his work, he was immensely ambitious and ultimately had a clear sense of his oeuvre as a whole and the place it was to take in the history of art.
Such apparently contradictory positions define much of Van Gogh's live and artistic output. They are also at the basis of this volume which explores Van Gogh's oeuvre through two fundamental aspects of his artistic identity: his love for the countryside as a stable, never changing environment and his attachment to the city as the centre of fast moving, modern life.
