Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
cover price: € 150.00
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Books included in the offer:
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
FREE (cover price: € 150.00)
Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli
Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.
FREE (cover price: € 98.00)
Vincenzo Meucci
Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).
FREE (cover price: € 50.00)
Gherardo Bosio. Opera Completa 1927-1941
Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).
FREE (cover price: € 60.00)
Olivo Barbieri. Viaggi in Italia 1982-2009
Skira
Oderzo, PALAZZO FOSCOLO, July 2 - July 25, 2010.
Oderzo, Palazzo Foscolo, July 3 - July 25, 2010.
Edited by Zannier S.
Italian and English Text.
Milano, 2010; paperback, pp. 136, 55 b/w and col. ill., 55 b/w and col. plates, cm 24x28.
(Fotografia).
series: Fotografia
ISBN: 88-572-0731-5 - EAN13: 9788857207315
Subject: Collections,Photography
Languages:
Weight: 0.896 kg
"I once asked Luigi Ghirri what he was looking for and he immediately replied, 'the truth'. I, on the other hand, have sought to represent the invisible; could truth and the invisible be the same thing?" This question posed by Olivo Barbieri contains the entire sense of Reversing (of viewpoint, of the ordinary way of seeing and dealing with the real) and Revealing (of different stances one may take before the world) that translate truth into virtuality. Or into impossibility.
This is a photography of places, of architectures, of urban and natural landscapes, of individuals and populations. Within it we see the modus vivendi, styles and tendencies, affiliations and de-localizations. This is not photography as reportage, but rather the type of creative voyage that conjoins visual beauty with a unique poetics, capable of following a connecting expressive thread through each image, whichever corner of the Earth it is from.










