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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Clavis scriptorum latinorum medii aevi. Auctores Italiae (700-1000)

Sismel - Edizioni del Galluzzo

Edited by Valtorta B.
Tavarnuzze, 2007; bound, pp. XVI-308, cm 17,5x24,5.
(Edizione Nazionale dei Testi Mediolatini. 17).

series: Edizione Nazionale dei Testi Mediolatini.

ISBN: 88-8450-225-X - EAN13: 9788884502254

Subject: Librarianship, Bibliography, Publishing,Maps, Documents, Old and Rare Books

Period: 0-1000 (0-XI) Ancient World,1000-1400 (XII-XIV) Middle Ages,1400-1800 (XV-XVIII) Renaissance

Languages:  italian text  

Weight: 1.22 kg


This volume contains the Latin language authors working in Italy between 700 and 1000, excluding anonymous and documentary texts. Eighty-nine literary figures are identified, including authors foreign by birth who linked their name to the Italian city where they worked. A rich panorama for scholars emerges, which places lightly sketched out figures and unresolved problematics next to well known and researched writers. Each entry offers a first section with coordinates useful for identifying each author (brief biographical details, essential bibliography, collected works) and a second section which catalogues and analyzes literary production (indicating incipit, explicit, manuscripts, bibliography, editions, and translations). In toto, 415 works are examined and over 800 manuscripts cited

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