Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
|
Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Federico Garolla. Fotografie. Photographs 1948-1968
Silvana Editoriale
Edited by Garolla I.
Italian and English Text.
Cinisello Balsamo, 2024; bound, pp. 288, 230 col. ill., cm 20x25.
ISBN: 88-366-5942-X - EAN13: 9788836659425
Subject: Photography
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 1.29 kg
He belonged to a new generation of photojournalists who knew how to combine elegance and discretion to portray the world of entertainment and communication, as well as the socio-cultural life of their age. Their work provides a picture of a nation, the Italian people, in need of rediscovering its identity as it set about rebuilding the country through a combination of optimism and economic growth. With his unmistakable style, Garolla captured this transformation in all its modernity and also its deep contradictions. He provided an overview of the salient events of the day, taking a sensitive and also attentive look at social realities and contexts. His photographs reflected the liveliness and complexity of post-World War II Italian society, contributing to the image of Italy as it underwent rapid change, ready to embrace its dynamic, bourgeois future.
Garolla witnessed the rise the great fashion houses in Rome, actually becoming a key player in their success as he turned photo shoots into photo reports embedded in everyday life. An elegant narrator, influenced by masters like Cartier-Bresson, he moved beyond mere visual documentation to capture the very essence and spirit of a constantly changing era










