LATEST ART BOOKS
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Svenja Deininger. Two Thoughts
Silvana Editoriale
Reggio Emilia, Collezione Maramotti, March 8 - December 6, 2020.
Italian and English Text.
Cinisello Balsamo, 2020; bound, pp. 96, 35 col. ill., cm 21x28.
(Arte. 1).
ISBN: 88-366-4631-X - EAN13: 9788836646319
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1960- Contemporary Period
Languages: 
Weight: 0.79 kg
It's a cycle of pictorial works inspired by the work of the Polish artist W?adys?aw Strzeminski, protagonist of the historical avant-garde of the 1920s, of which four paintings of the Muzeum Sztuki of ?ódz are documented: in her work, although far from the historical and theoretical point of view, Svenja Deininger recognizes an unexpected formal affinity and a common deep research on the essence of vision and painting.
The compositions of lines and colors of the Austrian artist refer to an abstract dimension, but her imagination draws on a reality of concrete forms and objects, which are transposed and hybridized on the canvas. The flat appearance of the surface of the works is often disrupted by a careful observation which reveals different levels of depth and texture, which the artist obtained by mixing plaster, marble powder or glue with oil colors.
