Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Nino Migliori. Forme del vero. Forms of Reality.
Silvana Editoriale
Edited by Benigni C.
Italian and English Text.
Cinisello Balsamo, 2019; hardback, pp. 128, 50 b/w ill., cm 19x26,5.
(Fotografia).
series: Fotografia
ISBN: 88-366-4255-1 - EAN13: 9788836642557
Subject: Collections,Photography
Languages:
Weight: 0.58 kg
To a production close to the so-called Italian Neorealism, he always coupled a conceptual research within the most advanced side of the European Informal.
The passion for reality and the thirst for new horizons allowed the photographer to offer us images that go beyond the news photographs and, as explained by the curator Corrado Benigni, have rather the strength of icons.
"At the base of all this is the experimentation that has accompanied me every day for seventy years, experimentation on the so-called analogical and now digital materials", explains the photographer










