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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Nino Migliori. Forme del vero. Forms of Reality.

Silvana Editoriale

Edited by Benigni C.
Italian and English Text.
Cinisello Balsamo, 2019; hardback, pp. 128, 50 b/w ill., cm 19x26,5.
(Fotografia).

series: Fotografia

ISBN: 88-366-4255-1 - EAN13: 9788836642557

Subject: Collections,Photography

Languages:  english, italian text   english, italian text  

Weight: 0.58 kg


Nino Migliori (1926) is the most authoritative and eclectic Italian artist in the field of experimental photography: an art he has been practicing uninterruptedly since 1948, when, in his early twenties, he approached the Circolo Fotografico of Bologna - the city he was born and has always lived in -, going on to become almost immediately a professional. To this day he is considered one of the masters of contemporary photography.
To a production close to the so-called Italian Neorealism, he always coupled a conceptual research within the most advanced side of the European Informal.
The passion for reality and the thirst for new horizons allowed the photographer to offer us images that go beyond the news photographs and, as explained by the curator Corrado Benigni, have rather the strength of icons.
"At the base of all this is the experimentation that has accompanied me every day for seventy years, experimentation on the so-called analogical and now digital materials", explains the photographer

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