Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Tony Cragg. Sculptures and Works on Paper
Silvana Editoriale
Edited by Reifenscheid B. and Benítez O. J. A.
English and German Text.
Cinisello Balsamo, 2017; paperback, pp. 120, 95 col. ill., cm 21x27.
(Arte Contemporanea).
ISBN: 88-366-3799-X - EAN13: 9788836637997
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0.5 kg
Tony Cragg has set his relations between the natural and the artificial. In his work, there is a momentum swinging towards the invisible and the visible. Spirituality fails to be overlapped by the medium of idealistic support. The materials this creator uses could be a path against himself from the outset. Each one of them recycles, transforms, collides and produces changes to adapt to later on, just like the planet's tectonic forces - in orders that coexist with its instability.
The artist proclaims the function of the imagination beyond the mutilation of words, wishing to find a vocabulary for the emotions and effects that breaks ties with positivism and favours our way of grasping the universe.










