Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Tony Cragg. Sculptures and Works on Paper
Silvana Editoriale
Edited by Reifenscheid B. and Benítez O. J. A.
English and German Text.
Cinisello Balsamo, 2017; paperback, pp. 120, 95 col. ill., cm 21x27.
(Arte Contemporanea).
ISBN: 88-366-3799-X - EAN13: 9788836637997
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0.5 kg
Tony Cragg has set his relations between the natural and the artificial. In his work, there is a momentum swinging towards the invisible and the visible. Spirituality fails to be overlapped by the medium of idealistic support. The materials this creator uses could be a path against himself from the outset. Each one of them recycles, transforms, collides and produces changes to adapt to later on, just like the planet's tectonic forces - in orders that coexist with its instability.
The artist proclaims the function of the imagination beyond the mutilation of words, wishing to find a vocabulary for the emotions and effects that breaks ties with positivism and favours our way of grasping the universe.










