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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Tony Cragg. Sculptures and Works on Paper

Silvana Editoriale

Edited by Reifenscheid B. and Benítez O. J. A.
English and German Text.
Cinisello Balsamo, 2017; paperback, pp. 120, 95 col. ill., cm 21x27.
(Arte Contemporanea).

ISBN: 88-366-3799-X - EAN13: 9788836637997

Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 1960- Contemporary Period

Languages:  english, deutsch text   english, deutsch text  

Weight: 0.5 kg


Internationally renowned British sculptor Tony Cragg (1949) is presented here through a selection of his latest sculptures as well as an overview of his graphic works, showing his artistic path and creative process from the initial idea to the final object.
Tony Cragg has set his relations between the natural and the artificial. In his work, there is a momentum swinging towards the invisible and the visible. Spirituality fails to be overlapped by the medium of idealistic support. The materials this creator uses could be a path against himself from the outset. Each one of them recycles, transforms, collides and produces changes to adapt to later on, just like the planet's tectonic forces - in orders that coexist with its instability.
The artist proclaims the function of the imagination beyond the mutilation of words, wishing to find a vocabulary for the emotions and effects that breaks ties with positivism and favours our way of grasping the universe.

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