L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 56.00)
Paparazzi. Fotografi e divi, dalla Dolce Vita a oggi. Photographers and Stars from the Dolce Vita to the Present
Silvana Editoriale
Torino, Camera Centro Italiano per la Fotografia, September 13, 2017 - January 7, 2018.
Edited by Guadagnini W. and Zanot F.
Translation by S. Crimi and Farallo V.
Italian and English Text.
Cinisello Balsamo, 2017; paperback, pp. 136, 190 b/w and col. ill., cm 23x28.
(Fotografia).
series: Fotografia
ISBN: 88-366-3787-6 - EAN13: 9788836637874
Subject: Collections,Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0.7 kg
From celebrated 20th-century image thieves like Tazio Secchiaroli, Marcello Geppetti, Ron Galella, Lino Nanni, to photographic projects by contemporary artists such as Alison Jackson and Armin Linke, the volume spans over the years and the themes that change along with society and and mass media.
From the 30s images of candid cameras to the Rome of the early sixties, with its myth of "Hollywood on the Tevere", from the stolen shots of Anita Ekberg, Marilyn Monroe, Jackie Kennedy, Lady D up to Silvio Berlusconi, the repertoire collected in these pages show the transformation of the language used by paparazzi, offering new interpretations of a phenomenon that unites the history of society, communication and image.









