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DEAL OF THE DAY

Italia Cinquanta moda e design. Nascita di uno stile

Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.

cover price: € 33.00

Italia Cinquanta moda e design. Nascita di uno stile

Total price: € 33.00 € 85.00 add to cart carrello

Books included in the offer:

Italia Cinquanta moda e design. Nascita di uno stile

Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.

FREE (cover price: € 33.00)

Italia Cinquanta moda e design. Nascita di uno stile

Parodie del design. Scritti critici e polemici

Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.

FREE (cover price: € 12.00)

Parodie del design. Scritti critici e polemici

Moda e modi. Stile e costume in Italia 1900-1960

Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.

FREE (cover price: € 25.00)

Moda e modi. Stile e costume in Italia 1900-1960

Gli italiani e la moda. 1860-1960

Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.

FREE (cover price: € 15.00)

Gli italiani e la moda. 1860-1960

chiudi

Boltanski. Souls. From place to place

Silvana Editoriale

Bologna, Mambo, June 26 - November 12, 2017.
Edited by D. Eccher.
English Text.
Cinisello Balsamo, 2017; clothbound, pp. 192, 120 col. ill., cm 21x25.
(Arte).

series: Arte

ISBN: 88-366-3764-7 - EAN13: 9788836637645

Subject: Collections,Essays (Art or Architecture),Photography

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 0.79 kg


This volume travels through the most important moments and crossroads in the lifetime and career of Christian Boltanski, which have led him into reflecting upon the outcome of some historical events during the twentieth century and on the need to reconsider appropriate representation methods.
History, histories and the statute of the image are the fulcrum of the conversation being proposed. In particular, this conversation deals with some fundamental themes: the difference between collective memory, recollection and oblivion; relations between the individual and the crowd; the entity of absence, intended as proof of a destroyed presence, but also as device for the reactivation of memory; the incidence of an isolated glance, that of the observer, upon whose primacy the history of western art has constructed its foundations.

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