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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Matteo Negri. Diciassette Sculture a Colori

Matteo Negri. Diciassette Sculture a Colori

Silvana Editoriale

Milano, Lorenzelli Arte, March 23 - May 6, 2017.
Edited by Gaglianò P. and Quaroni I.
Translation by Caponnetto C. A.
Italian and English Text.
Cinisello Balsamo, 2017; clothbound, pp. 160, 200 col. ill., cm 30x24,5.
(Arte).

ISBN: 88-366-3678-0 - EAN13: 9788836636785

Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages: english, italian text   english, italian text  

Weight: 1.33 kg


Part of Matteo Negri's most recent research leaves the three-dimensional composition and shifts the investigation from object to plane. The volumes give room to a kind of sculpture based on two-dimensional formats that intersect among each other, between refractions, multiplications and visual snags. The formal abstraction is necessary to the artist for the new horizon of his experimentation; form becomes a liminal area that allows the uncovering of the work as something not distinct from the world that it contains but, rather, as a place of configuration, of the redefinition of that very world.

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