LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Pietro Donzelli. Terra Senz'Ombra. Il Delta del Po negli Anni Cinquanta. Land Without Shadow. The Po Delta in the 1950s
Silvana Editoriale
Rovigo, Palazzo Roverella, March 25 - July 2, 2017.
Edited by Siebenhaar-Zeller R. and Valtorta R.
Italian and English Text.
Cinisello Balsamo, 2017; hardback, pp. 208, 120 b/w ill., cm 24,5x28,5.
(Fotografia).
series: Fotografia
ISBN: 88-366-3674-8 - EAN13: 9788836636747
Subject: Collections,Photography
Languages: 
Weight: 1.46 kg
Taken over eight years, from 1953 to 1961, the photographs have been displayed in exhibitions in Italy and further afield.
This volume presents the most comprehensive selection of pictures from his large-scale project published to date, documenting Donzelli's extensive photographic culture.
His work cannot be classified as reportage, understood as rapid, "gestural" shots, but rather as documentary photography, centered on observation and reflection. In this project on the Po Delta, the heart of Donzelli's work, his realist and "humanist" approach to photography emerges to the full.
