L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 56.00)
Mario Dondero
Silvana Editoriale
Bergamo, Galleria Ceribelli, March 11 - May 13, 2017.
Texts by Walter Guadagnini and Tatiana Agliani.
Italian and English Text.
Cinisello Balsamo, 2017; hardback, pp. 160, 100 col. ill., cm 20x27,5.
(Fotografia).
series: Fotografia
ISBN: 88-366-3658-6 - EAN13: 9788836636587
Subject: Collections,Photography
Languages:
Weight: 0.78 kg
It's a common belief that this poet and photographer, this dreamy, homeless globetrotter did not care about the fate of his photographs. Once their information function was exhausted in the newspapers, he left them in newsrooms or at a friend's house, already out to recount other slices of life, him not being prone to the sedentary work of image cataloging.
Yet there is an archive, as rich as a sixty-years long career implies. A wealth of documents - thousands of slides, prints, negatives, contact sheets - that the photographic library of Altidona is patiently collecting, and of which a small anthology is offered in this book.
Bright and beautiful images that tell of Italy and other countries, intellectuals, actors and especially the ordinary people, reflecting the sensitivity and poetry of a man who was an irreducible interpreter of the moral tension that marked the creative thought of the late twentieth century.









